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Working with the breath in classical dance technique
Pokorná, Kristýna ; KŘENKOVÁ, Mahulena (advisor) ; PUCHOWSKA, Sara Maria (referee)
This bachelor’s thesis discusses the possibilities of working with breath in classical dance technique. My research is based primarily on my personal perceptions obtained while observing the effects of breath on the body. My main aim is to make use of stimuli that occur in the body from the anatomical, physiological and psychological point of view while inhaling and exhaling in order to support the correct execution of the steps of the classical dance technique, in cooperation with countermoves in the body. This research section is preceded by a general overview of the respiratory system and the introduction of a different concept of breath.
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Classical dance at Czech dance organization
Judasová, Adéla ; OVSOVÁ, Libuše (advisor) ; FRIČOVÁ, Marie (referee)
BA 'production' concerns issues of classical dance related with The Czech Dance Organisation. It analyses individual aspects and offers possible solutions. The aim of the 'presentation' is not the criticism (of the Dance Organisation) but in the matter of fact the endeavor to identify and solve inner drawbacks of the biggest Organisation of the Czech Republic which represents many amateur dancers of wide age range.
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Influence of Breath in classical Dance
Čechová, Jana ; KŘENKOVÁ, Mahulena (advisor) ; DERCSÉNYIOVÁ, Lucie (referee)
Influence of brath on performance in classical dance.
Goal of work:
The aim of this master thesis is to introdukce the posibility of using conscious breathing not only to perform technically more difficult elements easier, but also in the preparation of dancers to the artistic performance.
Method:
Comparing thematic literature, questionnare in between the dancers and student sof dance, measuring the breathing of a dancer during the dance variation.
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Body as a Tool for functional classical Dance
Bočková, Šárka ; KŘENKOVÁ, Mahulena (advisor) ; JANEČEK, Václav (referee)
This thesis explores the human body on the basis of its anatomical disposition in connection with the functional principles which enable to develop the correct body posture, leg position en dehors, classical dance poses
and coordination of movement leading to rotation and jump. In this thesis, I look upon the human body as the main dancer´s tool allowing to perform the classical dance technique and by the described functional principles, I attepmt to support the correct execution of individual parts of the classical dance technique.
In conclusion of this thesis, I comment on general employing of these functional principles in classical dance lessons.
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The Imperial Society of Teachers of Dancing
Smělá, Barbora ; KŘENKOVÁ, Mahulena (advisor) ; JANEČEK, Václav (referee)
In my thesis I am giving a description of an Imperial Society of Teachers
of Dancing (later only ISTD). ISTD is an international board based in London. Its main purpose is to teach dancers and teachers of dance from around the world.
I am describing its history, options of membership, types of examinations and particular faculties. An education of ISTD is divided into twelve faculties
of dance: Tap Dance, National Dance, Modern Theatre, Classical Greek, Classical Indian Dance, Modern Ballroom, Latin American, Sequence, Disco, Freestyle
& Rock?n?Roll, Club Dance, Cecchetti Classical Ballet and Imperial Ballet. Considering that I am studying the classical dance I have decided to focus on the faculty of Imperial Ballet. I am depicting syllabuses of all periods of examinations and expertises on ISTD.
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How to teach ballroom dancing
Kolda, Michal ; FRIČOVÁ, Marie (advisor) ; ZILVAROVÁ, Daniela (referee)
The Master thesis follows up on the previous Bachelor thesis title Methodology of traching of the ballroom dancing and it focuses on the second phase of teaching. The thesis engages in describes methodological techniques in teaching individual dances and dance figures within the advanced ballroom dancing courses. Commentaries are included, dealing with potencial problems in teaching and frequent faults.
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Body Posture in classical Dance from a kinesiological Perspective
Danzerová, Barbora ; ČUMPELÍK, Jiří (advisor) ; KŘENKOVÁ, Mahulena (referee)
The M.A. thesis is focused on body posture which serves as a stabilization of
vertical position of the body in gravitational field and which supports movement.
Without body posture, any targeted movement cannot take place.
The thesis mainly discusses how to attain a physiologically correct body posture
in classical dance while drawing out the lower limbs en dehors. It is a basic
predisposition for the realization of related movements without the risk of
overburdening or injury of the movement apparatus.
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